[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-arte-contra-la-desesperanza-dorgham-qreaiqea-esp-eng":3,"latest-art":18},{"id":4,"type":5,"content":6,"user":7,"videoUrl":8,"slug":9,"link":10,"timestamp":11,"imageUrl":16,"title":17,"subtitle":8},"m8hbkga9pc25tu9mwk","art","\u003Cdiv class=\"nidPne\">\n\u003Cdiv data-show-delay-ms=\"250\" data-append-to-body=\"true\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-left\" data-enable-skip-handler=\"true\" data-popup-corner=\"top-left\">\n\u003Cdiv class=\"dig2sb\">\n\u003Cdiv class=\"scLCMd\">\u003Cstrong>ESPA&Ntilde;OL\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"n4sEPd\">\n\u003Cdiv class=\"FFpbKc\">\n\u003Cdiv class=\"xMmqsf\">\n\u003Cdiv class=\"nidPne\">\n\u003Cdiv data-show-delay-ms=\"250\" data-append-to-body=\"true\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-left\" data-enable-skip-handler=\"true\" data-popup-corner=\"top-left\">19 marzo 2025\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El poeta nacional de Palestina, Mahmoud Darwish, escribi&oacute; una vez: &laquo;Quemaron las pinturas, atacaron los estudios y destruyeron todo&hellip; Pero el arte renacer&aacute; dentro de nosotros, y juntos cantaremos: &lsquo;Todas las artes te han conquistado, oh Muerte&rsquo;&raquo;. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">La creencia de Darwish en el poder del arte fue compartida a trav&eacute;s de su trabajo, tanto art&iacute;stico como social, por el asesinado artista Dorgham Qreaiqea, de Gaza, quien, como se supo hoy, fue uno de las al menos cuatrocientas personas asesinadas en los bombardeos israel&iacute;es del 18 de marzo.&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Durante los meses de la matanza de Israel sobre Gaza, Qreaiqea perdi&oacute; a sus dos hermanas, a su t&iacute;a, a su sobrina y a su prima, mientras que su madre, que result&oacute; gravemente herida, luchaba por su vida debido a la falta de medicamentos. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">La noticia de su muerte fue anunciada por la agencia de noticias Al Jazeera.&nbsp;\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Dorgham Qreaiqea, nacido en 1997, sol&iacute;a decir, como leemos en un texto de despedida de la Alianza para la Preservaci&oacute;n del Arte Palestino, que \"la esperanza no se mata excepto con la muerte del alma, y ​​el arte es mi alma que no morir&aacute;\".&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">E\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">l artista -que fue asesinado junto con otros miembros de su familia- hab&iacute;a creado un peque&ntilde;o parque acu&aacute;tico en un campo de refugiados en el sur de Gaza el verano pasado para mantener ocupados a los ni&ntilde;os peque&ntilde;os, muchos de los cuales han perdido a sus padres durante la guerra.&nbsp;\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Su implicaci&oacute;n con los ni&ntilde;os no acab&oacute; ah&iacute;: cre&oacute; un peque&ntilde;o cine casero, al que llam&oacute; &ldquo;Cinema Camp&rdquo;, que pretend&iacute;a ser un espacio en el que sus peque&ntilde;os amigos &ldquo;se sintieran felices incluso en los momentos oscuros&rdquo;, al tiempo que participaba en las actividades de &ldquo;Youth Hope&rdquo; para j&oacute;venes con el apoyo de M&eacute;dicos del Mundo.&nbsp;\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\">Los eventos incluyeron diversas actividades, como canto de la&uacute;d, espect&aacute;culos de payasos y actos de circo.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">\"Esta iniciativa busca llevar alegr&iacute;a y felicidad a los corazones de los ni&ntilde;os durante estos tiempos dif&iacute;ciles\", afirm&oacute; la organizaci&oacute;n Youth Hope en una publicaci&oacute;n en redes sociales. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Dando la bienvenida al a&ntilde;o 2025, Qreaiqea cre&oacute; una obra de arena y dese&oacute; \"paz en una tierra que fue creada para la paz, pero que nunca la ha conocido\".\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Frente a su obra se ve&iacute;a apenas el mar y peque&ntilde;os ni&ntilde;os saltando a su alrededor. \u003C\u002Fspan>\u003Cspan class=\"ryNqvb\">Los ni&ntilde;os fueron a menudo objeto de sus creaciones art&iacute;sticas y a menudo se les representa detr&aacute;s de paredes sosteniendo flore\u003C\u002Fspan>s.\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">\"Eran m&aacute;s que simples pinturas\"&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El artista palestino, que enfrent&oacute; el trauma de la p&eacute;rdida, la horrible guerra, el aislamiento, la soledad y la ruina econ&oacute;mica, dos semanas antes de su muerte, hab&iacute;a compartido una publicaci&oacute;n en Instagram en la que escribi&oacute; que \"despu&eacute;s de quince meses de desplazamiento, regres&eacute; a mi casa en Gaza para encontrarme frente a una realidad incre&iacute;ble y muy dif&iacute;cil: despu&eacute;s de la destrucci&oacute;n de mi casa y mi oficina, que fue completamente destruida por el ej&eacute;rcito israel&iacute;, todas mis obras que estaba preparando para mi primera exposici&oacute;n 'Hasta que una silla crezca alas' se han perdido bajo los escombros.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">&ldquo;Estas obras eran m&aacute;s que simples pinturas: eran un pedazo de mi alma, de mis sue&ntilde;os que siempre quise compartir con su destinatario&rdquo;.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Ca href=\"https:\u002F\u002Fwww.middleeasteye.net\u002Fnews\u002Fgaza-lost-another-talented-artist-dorgham-qareqa-killed-by-israel\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">ENGLISH\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fa>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Dorgham Qareqa, 28, was a big fan of Van Gogh. He shared the same passion for art and life struggles that the Dutch master experienced, said fellow artist and close friend, Mohammed al-Haj. This earned him the title of \"Van Gogh's grandson\", said al-Haj. &nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">But an Israeli attack on 4 March killed the Palestinian artist along with his wife, siblings and 13 members of his extended family. &nbsp;His death is the latest to target members of Gaza's arts community, many of whom have been killed since Israel's devastating war on Gaza began in October 2023. &nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Qareqa was a multi-talented artist skilled in handicrafts, visual arts, applied arts, blacksmithing and painting. &nbsp;He had a talent for using art to beautify reality and alleviate people's suffering under the blockade of the Gaza Strip, al-Haj said. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters &nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">\"He had always envisioned a long life dedicated to his art, a life where he could continue to create, inspire, and share his passion for beauty and resistance,\" he added. &nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Since 2016, Qareqa had volunteered and participated in various local art exhibitions and community institutions in Gaza, such as Dar al-Kalima and the Qatan Foundation. &nbsp;One of his last contributions before the war in Gaza broke out in 2023 was &ldquo;The City Shrapnel.&rdquo; In this work, he and a group of young Palestinian artists represented Gaza&rsquo;s archaeological landmarks and history, which had been altered due to the Israeli occupation, using engraving and printing techniques.&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">&ldquo;He was the one who always came up with creative ideas and was tirelessly the most dynamic, helpful, and unique artist of the group,&rdquo; said al-Haj, who co-founded the exhibit. &nbsp;&ldquo;He loved painting and often painted murals everywhere - on streets, in restaurants, companies, and schools.&rdquo;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>","jjgervas@gmail.com","","arte-contra-la-desesperanza-dorgham-qreaiqea-esp-eng","https:\u002F\u002Fwww.instagram.com\u002Fdorgham_quraiqi",["FirebaseTimestamp",12],{"type":13,"seconds":14,"nanoseconds":15},"firestore\u002Ftimestamp\u002F1.0",1742474006,851000000,"https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1742473998\u002Fbxsiizx10iml6ycqcggw.png","Arte contra la desesperanza.  Dorgham Qreaiqea ESP ENG",[19,38,51,63,74,83,93,103],{"id":20,"slug":21,"type":5,"title":22,"titleEn":23,"subtitle":8,"subtitleEn":8,"imageUrl":24,"timestamp":25,"tags":26,"tagsEn":31,"excerpt":36,"hasEnglish":37,"hasEnglishPage":37},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[27,28,29,30],"Vídeo","Escultura","Fotos","Instalaciones",[32,33,34,35],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":39,"slug":40,"type":5,"title":41,"titleEn":42,"subtitle":8,"subtitleEn":8,"imageUrl":43,"timestamp":44,"tags":45,"tagsEn":48,"excerpt":49,"hasEnglish":50,"hasEnglishPage":50},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[46,47],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":52,"slug":53,"type":5,"title":54,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":55,"timestamp":56,"tags":57,"tagsEn":-1,"excerpt":62,"hasEnglish":37,"hasEnglishPage":50},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[58,59,60,61],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":64,"slug":65,"type":5,"title":66,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":67,"timestamp":68,"tags":69,"tagsEn":-1,"excerpt":73,"hasEnglish":50,"hasEnglishPage":50},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[70,71,72],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":75,"slug":76,"type":5,"title":77,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":78,"timestamp":79,"tags":80,"tagsEn":-1,"excerpt":82,"hasEnglish":50,"hasEnglishPage":50},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[81],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":84,"slug":85,"type":5,"title":86,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":87,"timestamp":88,"tags":89,"tagsEn":-1,"excerpt":92,"hasEnglish":37,"hasEnglishPage":50},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[90,91],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":94,"slug":95,"type":5,"title":96,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":97,"timestamp":98,"tags":99,"tagsEn":-1,"excerpt":102,"hasEnglish":37,"hasEnglishPage":50},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[100,101],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":104,"slug":105,"type":5,"title":106,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":107,"timestamp":108,"tags":109,"tagsEn":-1,"excerpt":113,"hasEnglish":37,"hasEnglishPage":50},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[110,111,112],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]