[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-palestinian-art-behind-the-bars-mohammed-al-rakoui-and-zuhdi-al-adawi-arte-palestino-tras-las-rejas-eng-esp":3,"latest-art":22},{"id":4,"tags":5,"slug":10,"type":11,"user":12,"timestamp":13,"videoUrl":18,"imageUrl":19,"subtitle":18,"title":20,"content":21,"link":18},"mqun0m4klsyyp0jsuo9",[6,7,8,9],"Mohammed Al Rakoui","Zuhdi Al Adawi","Art behind the bars","Arte en prisión","palestinian-art-behind-the-bars-mohammed-al-rakoui-and-zuhdi-al-adawi-arte-palestino-tras-las-rejas-eng-esp","art","jjgervas@gmail.com",["FirebaseTimestamp",14],{"type":15,"seconds":16,"nanoseconds":17},"firestore\u002Ftimestamp\u002F1.0",1782461184,289000000,"","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1782460717\u002Fzwoz61camap2vs2nxoi3.jpg","Palestinian Art Behind The Bars. Mohammed Al Rakoui and Zuhdi Al Adawi. Arte palestino tras las rejas. ENG ESP","\u003Cp>\u003Cstrong>ENGLISH\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fresistancearchives.substack.com\u002Fp\u002Fpalestinian-art-behind-the-bars\">\u003Cstrong>Palestinian Art Behind The Bars\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>\u003Cstrong>A selection of artworks by Mohammed Al Rakoui and Zuhdi Al Adawi\u003C\u002Fstrong>\u003Cbr>Resistance Archives\u003Cbr>Apr 20, 2026\u003C\u002Fp>\n\u003Cp>The works you’re seeing below were smuggled out of Askalan prison and compiled in “Palestinian Art Behind The Bars”, released in 1984 by the Committee for the Palestinian Prisoner. Vivid, defiant, and alive, painted in secret under occupation, inside a prison where creating anything about Palestine was forbidden.\u003C\u002Fp>\n\u003Cp>They belong to Mohammed Al Rakoui and Zuhdi Al Adawi, both from Gaza, both fedayeen for the Popular Front for the Liberation of Palestine (PFLP). Their families had been displaced during the 1948 Nakba. Both were imprisoned in Askalan — Adawi in 1970 and Rakoui in 1975.\u003C\u002Fp>\n\u003Cp>\u003Cbr>Neither had formal training. Both taught themselves to make art inside prison with whatever they could get their hands on. Supplies were smuggled in during visits. Finished work was folded into pockets and hidden in pillow covers on the way out. When guards discovered the work, they were thrown in solitary. They kept going anyway.\u003C\u002Fp>\n\u003Cp>This followed the ongoing tradition of beloved Palestinian poets who smuggled their written pieces out of jail, Mahmoud Darwish, Tawfiq Zayyad, and Samih Al Qasim among them.\u003C\u002Fp>\n\u003Cp>The bright colours in their work were no accident, a deliberate contrast to the grey of prison life and an act of defiance to keep their imagination alive.\u003Cbr>\u003Cbr>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>ESPAÑOL\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"OlSOob\">\n\u003Cdiv class=\"ccvoYb\">\n\u003Cdiv class=\"AxqVh\">\n\u003Cdiv class=\"OPPzxe\">\n\u003Cdiv class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\" data-hveid=\"4\">\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Arte palestino tras las rejas Una selección de obras de Mohammed Al Rakoui y Zuhdi Al Adawi\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Archivos de la Resistencia 20 de abril de 2026 \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Las obras que se muestran a continuación fueron sacadas clandestinamente de la prisión de Askalan y recopiladas en «Arte palestino tras las rejas», publicado en 1984 por el Comité para los Presos Palestinos.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Vívidas, desafiantes y llenas de vida, fueron pintadas en secreto bajo la ocupación, dentro de una prisión donde estaba prohibido crear cualquier cosa relacionada con Palestina.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Pertenecen a Mohammed Al Rakoui y Zuhdi Al Adawi, ambos de Gaza, fedayines del Frente Popular para la Liberación de Palestina (FPLP).\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Sus familias fueron desplazadas durante la Nakba de 1948. Ambos fueron encarcelados en Askalan: Adawi en 1970 y Rakoui en 1975. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Ninguno de los dos tenía formación artística formal.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Ambos aprendieron a crear arte por su cuenta dentro de la prisión con cualquier material que tuvieran a mano.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Los materiales se introducían de contrabando durante las visitas.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Las obras terminadas se doblaban y se escondían en los bolsillos, dentro de fundas de almohada, al salir.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Cuando los guardias descubrían sus trabajos, los encarcelaban en aislamiento.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Aun así, seguían creando.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Esto seguía la tradición de los venerados poetas palestinos que sacaban clandestinamente sus obras escritas de la cárcel, entre ellos Mahmoud Darwish, Tawfiq Zayyad y Samih Al Qasim.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Los colores brillantes de sus obras no eran casualidad, sino un contraste deliberado con la monotonía de la vida en prisión y un acto de desafío para mantener viva su imaginación.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fcdn.bsky.app\u002Fimg\u002Ffeed_fullsize\u002Fplain\u002Fdid:plc:sijrnjskilwxv3a4lmvqw2eg\u002Fbafkreibm3545jkxyeg7jt6n6kv2dun6pbfxeu7xsfctjddxlmig5nvlefe\" alt=\"\" width=\"922\" height=\"832\">\u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fcdn.bsky.app\u002Fimg\u002Ffeed_fullsize\u002Fplain\u002Fdid:plc:sijrnjskilwxv3a4lmvqw2eg\u002Fbafkreietlq5mmsbshojv7wgp7blujhic6forzdntwgn3zxhpb2rgomvqwi\" alt=\"\" width=\"1002\" height=\"852\">\u003C\u002Fp>",[23,42,55,67,78,87,97,107],{"id":24,"slug":25,"type":11,"title":26,"titleEn":27,"subtitle":18,"subtitleEn":18,"imageUrl":28,"timestamp":29,"tags":30,"tagsEn":35,"excerpt":40,"hasEnglish":41,"hasEnglishPage":41},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[31,32,33,34],"Vídeo","Escultura","Fotos","Instalaciones",[36,37,38,39],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":43,"slug":44,"type":11,"title":45,"titleEn":46,"subtitle":18,"subtitleEn":18,"imageUrl":47,"timestamp":48,"tags":49,"tagsEn":52,"excerpt":53,"hasEnglish":54,"hasEnglishPage":54},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[50,51],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":56,"slug":57,"type":11,"title":58,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":59,"timestamp":60,"tags":61,"tagsEn":-1,"excerpt":66,"hasEnglish":41,"hasEnglishPage":54},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[62,63,64,65],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":68,"slug":69,"type":11,"title":70,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":71,"timestamp":72,"tags":73,"tagsEn":-1,"excerpt":77,"hasEnglish":54,"hasEnglishPage":54},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[74,75,76],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":79,"slug":80,"type":11,"title":81,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":82,"timestamp":83,"tags":84,"tagsEn":-1,"excerpt":86,"hasEnglish":54,"hasEnglishPage":54},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[85],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":88,"slug":89,"type":11,"title":90,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":91,"timestamp":92,"tags":93,"tagsEn":-1,"excerpt":96,"hasEnglish":41,"hasEnglishPage":54},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[94,95],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":98,"slug":99,"type":11,"title":100,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":101,"timestamp":102,"tags":103,"tagsEn":-1,"excerpt":106,"hasEnglish":41,"hasEnglishPage":54},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[104,105],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":108,"slug":109,"type":11,"title":110,"titleEn":-1,"subtitle":18,"subtitleEn":-1,"imageUrl":111,"timestamp":112,"tags":113,"tagsEn":-1,"excerpt":117,"hasEnglish":41,"hasEnglishPage":54},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[114,115,116],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]