[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-photography-fotografia-2025-world-press-photo-samar-abu-elouf-eng-esp":3,"latest-art":19},{"id":4,"tags":5,"subtitle":6,"user":7,"slug":8,"type":9,"content":10,"imageUrl":11,"videoUrl":6,"link":12,"timestamp":13,"title":18},"m9l5wjud18kv6214w9u",[],"","jjgervas@gmail.com","photography-fotografia-2025-world-press-photo-samar-abu-elouf-eng-esp","art","\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Farticles\u002Fcrm347kpljko\">\u003Cstrong>ENGLISH\u003C\u002Fstrong>\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp>A haunting image of a young Gazan boy recovering from war injuries has been named World Press Photo of the Year for 2025.  \u003C\u002Fp>\n\u003Cp>The portrait, taken by Palestinian photographer Samar Abu Elouf for the New York Times, shows nine-year-old Mahmoud Ajjour, who lost both arms in an Israeli airstrike in Gaza City in March 2024.  Abu Elouf, who was evacuated from Gaza in late 2023, lives in the same apartment complex as Mahmoud in Doha, Qatar.  She has documented the lives of several wounded Gazans who made it out for treatment.  \u003C\u002Fp>\n\u003Cp>\"This is a quiet photo that speaks loudly,\" said World Press Photo executive director Joumana El Zein Khoury.  \"It tells the story of one boy, but also of a wider war that will have an impact for generations.\"\u003C\u002Fp>\n\u003Cp>And now ...., the reflective and ethical counterpoint.\u003Cbr>What is it that we reward in this photo...?\u003Cbr>The beauty..., of the horror...?\u003Cbr>What are we going to do now... Frame it...?\u003Cbr>Reward it..., absolve our ‘western’ guilt? \u003Cbr>What about the hypocrisy...? ?\u003Cbr>#FreePalestine\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fimagenes.elpais.com\u002Fresizer\u002Fv2\u002FG2SYBJOKJJEMHIOZ4SHSKD6R4M.jpg?auth=898c27320c814f8e1cafb00d213f5503191869c534de191209bcca40500e4345&width=1960\" alt=\"\" width=\"1696\" height=\"1130\">\u003C\u002Fp>\n\u003Cp>La fotógrafa palestina Samar Abu Elouf, autora de la Foto del Año para World Press Photo, trabajando en Gaza. \u003Cspan class=\"a_m_m\">Amjad Al Fayoumi\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Felpais.com\u002Fcultura\u002F2025-04-17\u002Fla-foto-del-ano-es-la-imagen-de-un-nino-gazati-mutilado-en-un-ataque-de-israel.html\">\u003Cstrong>ESPAÑOL\u003C\u002Fstrong>\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp>La imagen del niño Mahmoud Ajjour, de nueve años, que perdió los brazos mientras huía de un ataque israelí en Gaza, es la Foto del Año 2025 del concurso World Press Photo.\u003C\u002Fp>\n\u003Cp>Tomada en 2024 por la fotógrafa palestina Samar Abu Elouf para The New York Times, “es silenciosa” al tiempo que “habla alto y claro”. Cuenta la historia de un menor, “pero también de una guerra más amplia que tendrá un impacto durante generaciones”, según la directora ejecutiva del jurado del premio, Joumana El Zein Khoury. \u003C\u002Fp>\n\u003Cp>La Foto del Año es un retrato en color de un niño con una camiseta blanca de tirantes. Junto a una ventana, la luz ilumina su rostro, de profunda tristeza. Solo después de mirarle bien, el espectador repara en sus brazos: los tiene mutilados. Fue herido en marzo de 2024 mientras trataba de escapar con su familia de un ataque de las fuerzas israelíes. Una explosión le dejó así y fue evacuado con los suyos a Qatar, donde recibió tratamiento. Ajjour necesita ayuda para comer y vestirse, y está aprendiendo a usar sus pies para escribir, “participar en juegos digitales en el teléfono y abrir puertas”, según los organizadores del concurso.\u003C\u002Fp>\n\u003Cp> Y ahora...., el contrapunto ético reflexivo.\u003Cbr>¿Qué es lo que premiamos de esta fotografía?...\u003Cbr>¿La belleza..., del horror..?\u003Cbr>¿Qué vamos a hacer ahora...? ¿Enmarcarla...?\u003Cbr>¿Premiarla..., absuelve nuestra culpabilidad \"occidental\"? \u003Cbr> ¿Qué hay de la hipocresía... ?\u003Cbr>#FreePalestine \u003C\u002Fp>\n\u003Cdiv class=\"css-175oi2r r-1d09ksm r-18u37iz r-1wbh5a2\">\n\u003Cdiv class=\"css-175oi2r r-1wbh5a2 r-dnmrzs r-1ny4l3l\">\n\u003Cdiv id=\"id__afsy8eyw1ad\" class=\"css-175oi2r r-1wbh5a2 r-dnmrzs r-1ny4l3l\" data-testid=\"User-Name\">\n\u003Cdiv class=\"css-175oi2r r-18u37iz r-1wbh5a2\">\n\u003Cdiv class=\"css-175oi2r r-1d09ksm r-18u37iz r-1wbh5a2\"> \u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fwww.worldpressphoto.org\u002Fgetmedia\u002Fb020e930-7993-4fdb-b93a-75d960dcf62e\u002FWPP-2025Contest-POY-SamarAbuElouf.jpg?maxsidesize=1920&resizemode=force\" alt=\"\" width=\"1281\" height=\"1920\">\u003C\u002Fp>","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1744882397\u002Fup2ubtv7cxel6kyddzx9.jpg","https:\u002F\u002Fwww.worldpressphoto.org\u002Fcollection\u002Fphotocontest\u002F2025\u002Fphoto-of-the-year",["FirebaseTimestamp",14],{"type":15,"seconds":16,"nanoseconds":17},"firestore\u002Ftimestamp\u002F1.0",1744883019,796000000,"Photography Fotografía 2025 World Press Photo Samar Abu Elouf  ENG ESP",[20,39,52,64,75,84,94,104],{"id":21,"slug":22,"type":9,"title":23,"titleEn":24,"subtitle":6,"subtitleEn":6,"imageUrl":25,"timestamp":26,"tags":27,"tagsEn":32,"excerpt":37,"hasEnglish":38,"hasEnglishPage":38},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[28,29,30,31],"Vídeo","Escultura","Fotos","Instalaciones",[33,34,35,36],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":40,"slug":41,"type":9,"title":42,"titleEn":43,"subtitle":6,"subtitleEn":6,"imageUrl":44,"timestamp":45,"tags":46,"tagsEn":49,"excerpt":50,"hasEnglish":51,"hasEnglishPage":51},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[47,48],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":53,"slug":54,"type":9,"title":55,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":56,"timestamp":57,"tags":58,"tagsEn":-1,"excerpt":63,"hasEnglish":38,"hasEnglishPage":51},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[59,60,61,62],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":65,"slug":66,"type":9,"title":67,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":68,"timestamp":69,"tags":70,"tagsEn":-1,"excerpt":74,"hasEnglish":51,"hasEnglishPage":51},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[71,72,73],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":76,"slug":77,"type":9,"title":78,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":79,"timestamp":80,"tags":81,"tagsEn":-1,"excerpt":83,"hasEnglish":51,"hasEnglishPage":51},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[82],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":85,"slug":86,"type":9,"title":87,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":88,"timestamp":89,"tags":90,"tagsEn":-1,"excerpt":93,"hasEnglish":38,"hasEnglishPage":51},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[91,92],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":95,"slug":96,"type":9,"title":97,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":98,"timestamp":99,"tags":100,"tagsEn":-1,"excerpt":103,"hasEnglish":38,"hasEnglishPage":51},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[101,102],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":105,"slug":106,"type":9,"title":107,"titleEn":-1,"subtitle":6,"subtitleEn":-1,"imageUrl":108,"timestamp":109,"tags":110,"tagsEn":-1,"excerpt":114,"hasEnglish":38,"hasEnglishPage":51},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[111,112,113],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]