[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-poem-poema-it-s-a-rumor-only-a-rumor-es-un-rumor-solo-un-rumor-muhammad-shehada":3,"latest-art":21},{"id":4,"tags":5,"link":8,"imageUrl":9,"subtitle":10,"timestamp":11,"user":16,"slug":17,"videoUrl":10,"type":18,"content":19,"title":20},"mgauy9mbmhtnuk40e7",[6,7],"Poesía","Poetry","https:\u002F\u002Fvocesdelmundoes.com\u002F2025\u002F08\u002F18\u002Fcuando-se-trata-de-la-paz-israel-nunca-pierde-la-oportunidad-de-perder-una-oportunidad\u002F","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1759497233\u002Ficbvedcaopqnq0xhdqci.png","",["FirebaseTimestamp",12],{"type":13,"seconds":14,"nanoseconds":15},"firestore\u002Ftimestamp\u002F1.0",1759497325,254000000,"jjgervas@gmail.com","poem-poema-it-s-a-rumor-only-a-rumor-es-un-rumor-solo-un-rumor-muhammad-shehada","art","\u003Cp>\u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fmuhammadshehad2\u002Fstatus\u002F1973686553986654640\">\u003Cstrong>Muhammad Shehada\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>\u003Cstrong>@muhammadshehad2\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>ENGLISH\u003C\u002Fstrong>\u003Cbr>\u003Cbr>2 oct. 2025\u003C\u002Fp>\n\u003Cp>\u003Cbr>For Gazans,\u003Cbr>the world beyond the fence\u003Cbr>is not a place &mdash;\u003Cbr>it&rsquo;s a rumor.\u003C\u002Fp>\n\u003Cp>A whisper through concrete.\u003Cbr>A glimmer beyond drones.\u003Cbr>A world imagined,\u003Cbr>Behind endless walls.\u003C\u002Fp>\n\u003Cp>Gazans have never seen a mountain.\u003Cbr>Never felt snow kiss their cheeks.\u003Cbr>Never touched the bark of an old forest,\u003Cbr>or dipped their hands in a river or a creek.\u003C\u002Fp>\n\u003Cp>No lakes.\u003Cbr>No ships.\u003Cbr>No airports.\u003Cbr>No planes overhead.\u003Cbr>Just war machines.\u003Cbr>Gunboats.\u003Cbr>Tanks.\u003Cbr>Bulldozers.\u003Cbr>Bombs.\u003Cbr>And plenty of fighter jets.\u003C\u002Fp>\n\u003Cp>Most have never met a soul\u003Cbr>from outside the cage they were born in.\u003Cbr>Their world ends where the fences rise,\u003Cbr>The world beyond is just a blur,\u003Cbr>a ghost behind the rusted tin.\u003C\u002Fp>\n\u003Cp>The few who made it out\u003Cbr>Say the air smells different,\u003Cbr>Cleaner.\u003Cbr>The sky feels wider.\u003Cbr>The landscape is greener.\u003Cbr>People have lives.\u003C\u002Fp>\n\u003Cp>They speak of choice. Of movement.\u003Cbr>Of dreams not only survival.\u003Cbr>Most Gazans killed\u003Cbr>never got the chance\u003Cbr>to experience living.\u003Cbr>They were born dead on arrival.\u003C\u002Fp>\n\u003Cp>Their lives were footnotes\u003Cbr>before they were even written.\u003Cbr>They died\u003Cbr>knowing only fences,\u003Cbr>bombs,\u003Cbr>and the sound of death\u003Cbr>closing in.\u003C\u002Fp>\n\u003Cp>But we &mdash;\u003Cbr>we must not turn their world\u003Cbr>into a rumor too.\u003C\u002Fp>\n\u003Cp>ESPA&Ntilde;OL\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Muhammad Shehada @muhammadshehad2 &middot; \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">2 oct 2025.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Para los gazat&iacute;es, \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">el mundo m&aacute;s all&aacute; de la valla no es un lugar, \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">es un rumor.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Un susurro a trav&eacute;s del hormig&oacute;n.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Un destello m&aacute;s all&aacute; de los drones.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Un mundo imaginado, tras muros infinitos.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Los gazat&iacute;es nunca han visto una monta&ntilde;a.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Nunca han sentido la nieve acariciar sus mejillas.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Nunca han tocado la corteza de un bosque antiguo, ni han sumergido sus manos en un r&iacute;o o un arroyo.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">No hay lagos.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">No hay barcos.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">No hay aeropuertos.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">No hay aviones sobrevolando.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Solo m&aacute;quinas de guerra.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Ca&ntilde;oneras.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Tanques.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Bulldozers.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Bombas.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Y muchos aviones de combate.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">La mayor&iacute;a nunca ha conocido a nadie de fuera de la jaula en la que nacieron. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Su mundo termina donde se alzan las vallas, el mundo m&aacute;s all&aacute; es solo una mancha borrosa, un fantasma tras la hojalata oxidada.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Los pocos que lograron salir dicen que el aire huele diferente, m&aacute;s limpio.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El cielo se siente m&aacute;s amplio.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El paisaje es m&aacute;s verde.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">La gente tiene vidas.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Hablan de elecci&oacute;n.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">De movimiento.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">&nbsp;De sue&ntilde;os, no solo de supervivencia.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">La mayor&iacute;a de los gazat&iacute;es asesinados nunca tuvieron la oportunidad de experimentar la vida.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">&nbsp;Nacieron muertos al llegar.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Sus vidas eran notas a pie de p&aacute;gina incluso antes de ser escritas.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Murieron conociendo solo vallas, bombas, y el sonido de la muerte acerc&aacute;ndose. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Pero nosotros &mdash; nosotros no debemos convertir su mundo tambi&eacute;n en un rumor.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>","Poem. Poema. It's a rumor, only a rumor. Es un rumor, sólo un rumor. Muhammad Shehada",[22,41,54,66,77,86,96,106],{"id":23,"slug":24,"type":18,"title":25,"titleEn":26,"subtitle":10,"subtitleEn":10,"imageUrl":27,"timestamp":28,"tags":29,"tagsEn":34,"excerpt":39,"hasEnglish":40,"hasEnglishPage":40},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[30,31,32,33],"Vídeo","Escultura","Fotos","Instalaciones",[35,36,37,38],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":42,"slug":43,"type":18,"title":44,"titleEn":45,"subtitle":10,"subtitleEn":10,"imageUrl":46,"timestamp":47,"tags":48,"tagsEn":51,"excerpt":52,"hasEnglish":53,"hasEnglishPage":53},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[49,50],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":55,"slug":56,"type":18,"title":57,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":58,"timestamp":59,"tags":60,"tagsEn":-1,"excerpt":65,"hasEnglish":40,"hasEnglishPage":53},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[61,62,63,64],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":67,"slug":68,"type":18,"title":69,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":70,"timestamp":71,"tags":72,"tagsEn":-1,"excerpt":76,"hasEnglish":53,"hasEnglishPage":53},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[73,74,75],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":78,"slug":79,"type":18,"title":80,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":81,"timestamp":82,"tags":83,"tagsEn":-1,"excerpt":85,"hasEnglish":53,"hasEnglishPage":53},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[84],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":87,"slug":88,"type":18,"title":89,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":90,"timestamp":91,"tags":92,"tagsEn":-1,"excerpt":95,"hasEnglish":40,"hasEnglishPage":53},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[93,94],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":97,"slug":98,"type":18,"title":99,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":100,"timestamp":101,"tags":102,"tagsEn":-1,"excerpt":105,"hasEnglish":40,"hasEnglishPage":53},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[103,104],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":107,"slug":108,"type":18,"title":109,"titleEn":-1,"subtitle":10,"subtitleEn":-1,"imageUrl":110,"timestamp":111,"tags":112,"tagsEn":-1,"excerpt":116,"hasEnglish":40,"hasEnglishPage":53},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[113,114,115],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]