[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-postal-card-tarjeta-postal-from-zionist-propaganda-to-symbol-of-resistence-de-propaganda-sionista-a-simbolo-de-resistencia-eng-esp":3,"latest-art":19},{"id":4,"imageUrl":5,"tags":6,"link":7,"subtitle":8,"type":9,"videoUrl":8,"title":10,"content":11,"user":12,"slug":13,"timestamp":14},"mea8dktx8cwr6hsmfn6","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1755105926\u002Fwehyvdncahqspjjiyysz.jpg",[],"https:\u002F\u002Fgazatimes.blogspot.com\u002F2012\u002F03\u002Fvisit-palestine-poster-by-franz-kraus.html","","art","Postal card. Tarjeta postal. From Zionist propaganda to symbol of Resistence. De propaganda sionista a símbolo de Resistencia. ENG ESP","\u003Cp>\u003Cstrong>\u003Cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\">\u003Cimg src=\"https:\u002F\u002Fpbs.twimg.com\u002Fmedia\u002FGx5moTvXoAAUu4a?format=jpg&name=900x900\" alt=\"\" width=\"640\" height=\"853\">\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\">ENGLISH\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fslate.com\u002Fhuman-interest\u002F2015\u002F11\u002Fhow-did-a-palestine-poster-become-a-symbol-of-resistance.html\">\u003Cstrong>How a Palestine Tourism Poster, Designed by a Jewish Artist in the 1930s, Took On New Meaning\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fslate.com\u002Fhuman-interest\u002F2015\u002F11\u002Fhow-did-a-palestine-poster-become-a-symbol-of-resistance.html\">By Chris A. Smith\u003C\u002Fa>\u003Cbr>Franz Krausz, 1936; published by the Tourist Development Association of Palestine. \u003C\u002Fp>\n\u003Cp>The Palestine Poster Project Archives (PPPA)\u003C\u002Fp>\n\u003Cp>\u003Cbr>In 1936, an Austrian Jew named Franz Krausz created this stylized view of Jerusalem’s Old City. Krausz, who fled Europe during Hitler’s rise, designed a variety of posters for Zionist groups encouraging Jewish immigration to the Holy Land. This one is particularly arresting:​ the ancient, low-slung city rendered in a warm-hued Mediterranean palette​, crowned by the Dome of the Rock​.\u003C\u002Fp>\n\u003Cp>After the 1948 founding of Israel, ​most Israeli Jews quit referring to ​the land between the Jordan and the Mediterranean as ​”Palestine​.​” The poster was more or less ​forgotten for decades. A​t the height of the Oslo peace process in the 1990s, however, ​a Tel Aviv graphic designer and activist named David Tartakover reprinted Krausz’s image. It w​as “a gesture of hope” for coexistence, according to Dan Walsh, the founder and curator of the Palestine Poster Project Archives.\u003C\u002Fp>\n\u003Cp>As Oslo soured and the second Intifada broke out, Palestinians began ​repurposing​ the poster​. The onetime Jewish recruiting pitch became an affirmation of Palestinian rights, hanging in coffee shops and government buildings all over East Jerusalem and the occupied territories. At times, the poster’s provenance led to confusion. “[M]any Palestinians and others have assumed or asserted that this poster could not have been made by a Zionist or Israeli both because it features the word ‘Palestine’ and the detailed image of the Dome of the Rock,” Walsh writes. “But both assumptions would be wrong.”\u003C\u002Fp>\n\u003Cp>​The poster has remained a symbol of Palestinian resistance over the intervening years, its usage changing in accordance with events on the ground. \u003Ca href=\"https:\u002F\u002Fwww.amershomali.info\u002Fpost-visit-palestine\u002F\">In a 2009 reinterpretation by Ramallah-based artist Amer Shomali, the separation wall between East Jerusalem and the West Bank blots out the view of the Old City\u003C\u002Fa>; last year, the collective ABCNT added Israeli fighter jets on a bombing run. With violence again on the rise, there are likely to ​be more versions of this iconic image, tweaked for the times.\u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"http:\u002F\u002Fwww.amershomali.info\u002Fwp-content\u002Fuploads\u002F2013\u002F05\u002Fvisit-palestine-stencil-697x1024.jpg\" alt=\"\">\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>ESPAÑOL\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Cómo un cartel turístico de Palestina, diseñado por un artista judío en la década de 1930, adquirió un nuevo significado \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Por Chris A. Smith \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Franz Krausz, 1936;\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">publicado por la Asociación de Desarrollo Turístico de Palestina.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Archivos del Proyecto de Carteles de Palestina (PPPA) \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">En 1936, un judío austriaco llamado Franz Krausz creó esta vista estilizada de la Ciudad Vieja de Jerusalén.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Krausz, quien huyó de Europa durante el ascenso de Hitler, diseñó diversos carteles para grupos sionistas que fomentaban la inmigración judía a Tierra Santa.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Este es particularmente impactante: la antigua ciudad de baja altura, representada en una paleta mediterránea de tonos cálidos, coronada por la Cúpula de la Roca.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Tras la fundación de Israel en 1948, la mayoría de los judíos israelíes dejaron de referirse a la tierra entre el Jordán y el Mediterráneo como \"Palestina\". \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El cartel quedó prácticamente olvidado durante décadas.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Sin embargo, en pleno auge del proceso de paz de Oslo en la década de 1990, un diseñador gráfico y activista de Tel Aviv llamado David Tartakover reimprimió la imagen de Krausz.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Fue \"un gesto de esperanza\" para la coexistencia, según Dan Walsh, fundador y curador de los Archivos del Proyecto del Cartel de Palestina.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Con el declive de Oslo y el estallido de la segunda Intifada, los palestinos comenzaron a reutilizar el cartel.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El antiguo anuncio de reclutamiento judío se convirtió en una afirmación de los derechos palestinos, colgado en cafeterías y edificios gubernamentales por todo Jerusalén Este y los territorios ocupados.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">En ocasiones, la procedencia del cartel generó confusión.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Muchos palestinos y otros han asumido o afirmado que este cartel no pudo haber sido realizado por un sionista o un israelí, ya que incluye la palabra 'Palestina' y la imagen detallada de la Cúpula de la Roca —escribe Walsh—\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Pero ambas suposiciones serían erróneas.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> El cartel se ha mantenido como símbolo de la resistencia palestina a lo largo de los años, y su uso ha ido cambiando según los acontecimientos sobre el terreno.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">En una reinterpretación de 2009 del artista Amer Shomali, residente en Ramala, el muro de separación entre Jerusalén Este y Cisjordania impide la vista de la Ciudad Vieja;\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">en 2014, el colectivo ABCNT añadió aviones de combate israelíes en un bombardeo.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Con el aumento de la violencia, es probable que surjan más versiones de esta imagen icónica, adaptadas a los nuevos tiempos.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cdiv class=\"nidPne\">\n\u003Cdiv data-show-delay-ms=\"250\" data-append-to-body=\"true\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-left\" data-enable-skip-handler=\"true\" data-popup-corner=\"top-left\">\n\u003Cdiv class=\"dig2sb\">\n\u003Cdiv class=\"scLCMd\">\n\u003Cdiv id=\"itamenu\">\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>","jjgervas@gmail.com","postal-card-tarjeta-postal-from-zionist-propaganda-to-symbol-of-resistence-de-propaganda-sionista-a-simbolo-de-resistencia-eng-esp",["FirebaseTimestamp",15],{"type":16,"seconds":17,"nanoseconds":18},"firestore\u002Ftimestamp\u002F1.0",1755106543,37000000,[20,39,52,64,75,84,94,104],{"id":21,"slug":22,"type":9,"title":23,"titleEn":24,"subtitle":8,"subtitleEn":8,"imageUrl":25,"timestamp":26,"tags":27,"tagsEn":32,"excerpt":37,"hasEnglish":38,"hasEnglishPage":38},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[28,29,30,31],"Vídeo","Escultura","Fotos","Instalaciones",[33,34,35,36],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":40,"slug":41,"type":9,"title":42,"titleEn":43,"subtitle":8,"subtitleEn":8,"imageUrl":44,"timestamp":45,"tags":46,"tagsEn":49,"excerpt":50,"hasEnglish":51,"hasEnglishPage":51},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[47,48],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":53,"slug":54,"type":9,"title":55,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":56,"timestamp":57,"tags":58,"tagsEn":-1,"excerpt":63,"hasEnglish":38,"hasEnglishPage":51},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[59,60,61,62],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":65,"slug":66,"type":9,"title":67,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":68,"timestamp":69,"tags":70,"tagsEn":-1,"excerpt":74,"hasEnglish":51,"hasEnglishPage":51},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[71,72,73],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":76,"slug":77,"type":9,"title":78,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":79,"timestamp":80,"tags":81,"tagsEn":-1,"excerpt":83,"hasEnglish":51,"hasEnglishPage":51},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[82],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":85,"slug":86,"type":9,"title":87,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":88,"timestamp":89,"tags":90,"tagsEn":-1,"excerpt":93,"hasEnglish":38,"hasEnglishPage":51},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[91,92],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":95,"slug":96,"type":9,"title":97,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":98,"timestamp":99,"tags":100,"tagsEn":-1,"excerpt":103,"hasEnglish":38,"hasEnglishPage":51},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[101,102],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":105,"slug":106,"type":9,"title":107,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":108,"timestamp":109,"tags":110,"tagsEn":-1,"excerpt":114,"hasEnglish":38,"hasEnglishPage":51},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[111,112,113],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]