[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"art-witness-to-the-hellfire-of-genocide-a-testimony-from-gaza-wasim-said-desde-gaza-testigo-del-infierno-del-genocidio-eng-esp":3,"latest-art":22},{"id":4,"imageUrl":5,"type":6,"link":7,"subtitle":8,"content":9,"videoUrl":8,"slug":10,"tags":11,"timestamp":15,"title":20,"user":21},"mldtfxgkrew1gofi9o","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1770559786\u002Fn5jiapxmclofon4jkd2p.png","art","https:\u002F\u002Fproteanmag.com\u002F2025\u002F09\u002F23\u002Fexcerpt-witness-to-the-hellfire-of-genocide\u002F","","\u003Cp>\u003Cstrong>ENGLISH\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Witness to the Hellfire of Genocide: A Testimony from Gaza\u003C\u002Fstrong>\u003Cbr>\u003Cem>Wasim Said\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fproteanmag.com\u002F2025\u002F09\u002F23\u002Fexcerpt-witness-to-the-hellfire-of-genocide\u002F\">\u003Cem>[Excerpt: This text is drawn from Mousa Alsadah&rsquo;s foreword to the written testimony of a survivor of the genocide in Gaza. Wasim Said, writing as he fled the killing, recorded these stories of unthinkable horror and suffering. Said&rsquo;s writings are being collected and published as Witness to the Hellfire of Genocide: A Testimony from Gaza]\u003C\u002Fem>\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.bookforum.com\u002Fprint\u002F3203\u002Fbetween-ruins-and-imagination-62572\">\u003Cem>To know more: Between Ruins and Imagination\u003Cbr>Wasim Said&rsquo;s firsthand account of resistance and survival in Gaza\u003Cbr>Commentary by Mary Turfah\u003C\u002Fem>\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp>\u003Cbr>\"I didn't write this to make you cry. Not for you to tell me: \"Poor you.\" I write this so I can hang these words around your neck- to make you bear the responsibility of my perspective, the responsibility of knowing, the responsibility of being a witness\".&nbsp;\u003C\u002Fp>\n\u003Cp>Unimaginable brutalities unfold within these brief pages, as a young man recounts the story of his world, obliterated. Twenty-two-year-old Wasim Said watched as his life was cast into constant danger when the Israeli occupation began its relentless and genocidal attacks on Gaza after October 7, 2023. In the short gasps between bombardments, Wasim picked up his pen to tell the stories of the atrocities he encountered at every turn: his family scrambling for food and shelter under gunfire, friends and neighbors brutally murdered as they tried to retrieve flour and false aid, the untold stories of those martyred at hospitals, schools, homes.\u003C\u002Fp>\n\u003Cp>The stories are difficult to stomach. They are graphic, they are cruel, they are unbearable-just as the Israeli occupation has been since its inception. But as Wasim constantly turns to address the reader, these stories also contain a charge within them. What will you do now that you have the responsibility of knowing? What will you do now that you are a witness just like him?\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.middleeasteye.net\u002Fnews\u002Fwitness-hellfire-genocide-book-review-Wasim-Said\">By Azad Essa\u003C\u002Fa>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fwww.middleeasteye.net\u002Fnews\u002Fwitness-hellfire-genocide-book-review-Wasim-Said\">17 October 2025\u003C\u002Fa>\u003Cbr>Author Wasim Said lived through two years of Israel's genocide of Palestinians, collecting reports of atrocities he encountered.\u003C\u002Fp>\n\u003Cp>\u003Cbr>As the world around them was dismantled and burned, the family thought the abandoned house with its shoots of life growing in its little garden would spare them.\u003Cbr>It wasn&rsquo;t long, however, before an Israeli sniper put an end to the brief respite from the bombs.\u003Cbr>The mother was shot in the chest as she stirred a pot of lentils over a fire; her six-month-old baby sleeping on her lap.\u003C\u002Fp>\n\u003Cp>\u003Cbr>When her husband tried to take her to the hospital, the snipers opened fire again. Unable to leave, the mother bled out and died.\u003Cbr>The burial in the garden attracted further bullets from the Israeli soldiers.\u003C\u002Fp>\n\u003Cp>\u003Cbr>Not knowing what to do, her husband found a solar-powered vertical fridge in the kitchen. They wrapped her in a black plastic bag, tied her with ropes, and then placed her in it, upright.\u003Cbr>The children, hoping that they were experiencing a bad dream, would still talk to her.\u003Cbr>&ldquo;Why don&rsquo;t you speak?&rdquo; they would ask.\u003Cbr>Ten days later, when the gunfire slowed, the father lifted her frozen, stiff body. He wrapped her in a blanket and searched for a spot to bury her.\u003C\u002Fp>\n\u003Cp>\u003Cbr>The story is just one episode inside a new collection of dispatches from Wasim Said&rsquo;s Witness to Hellfire of Genocide: A Testimony from Gaza.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.aljazeera.com\u002Fnews\u002F2025\u002F11\u002F22\u002Fyoung-man-documents-gazas-untold-stories-of-israels-genocide-in-book\">\u003Cstrong>November 2025\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Amid the ongoing and unfathomable agony caused by Israel&rsquo;s genocidal war in Gaza, a young displaced man is writing a book to express acute Palestinian suffering and tell human stories that would otherwise go unnoticed.\u003C\u002Fp>\n\u003Cp>Wasim Said&rsquo;s book, Witness to the Hellfire of Genocide, chronicles two years of unrelenting war, as well as repeated forced displacement as a result of the relentless Israeli bombardment, ground invasion, destruction and forced starvation.\u003C\u002Fp>\n\u003Cp>\u003Cbr>The 24-year-old shared his story with Al Jazeera&rsquo;s Hani Mahmoud, describing how he mostly writes inside a tent with nothing in it, including no real protection from the scorching heat in summer or the freezing winter cold and heavy rains.\u003Cbr>&ldquo;Displacement sites and tents have become part of our lives. We&rsquo;ve had to find ways to adapt to this misery &ndash; even though it&rsquo;s almost impossible,&rdquo; he said.\u003C\u002Fp>\n\u003Cp>\u003Cbr>Every chapter in Said&rsquo;s book is named after a person, a place, or a memory he refuses to let disappear.\u003Cbr>&ldquo;I don&rsquo;t need your sympathy,&rdquo; he said. &ldquo;I need a conscience that hasn&rsquo;t rotted &hellip; a human that hasn&rsquo;t turned to stone, I need a reader who won&rsquo;t just close the book and sigh &ndash; then go to sip their coffee.&rdquo;\u003Cbr>He has spent many nights writing by candlelight because the Israeli military has destroyed nearly all of the infrastructure in Gaza, so there is no electricity or internet for the displaced population.\u003Cbr>Said said he did not write for recognition, but to express his emotions and bear witness to the atrocities.\u003Cbr>&ldquo;I was devastated. I couldn&rsquo;t contain my anger. Writing became the only way to let it out,&rdquo; he said.\u003C\u002Fp>\n\u003Cp>\u003Cbr>He began by writing about his experiences, but soon realised that there were many who had gone through even more horrific tragedies that he said the human mind cannot imagine.\u003Cbr>&ldquo;People who were killed and buried without anyone knowing. Their final moments. Their fear. I called this chapter The Untold Stories.&rdquo;\u003C\u002Fp>\n\u003Cp>\u003Cbr>For Said, every page is a form of quiet resistance against forgetting. He said death felt &ldquo;inevitable&rdquo; in many instances.\u003Cbr>\u003Cstrong>&ldquo;I wrote because I wanted to leave something behind &ndash; to be a witness, not just another martyr. Stories disappear if they&rsquo;re not documented,\u003C\u002Fstrong>&rdquo; he said.\u003C\u002Fp>\n\u003Cp>&nbsp;\u003C\u002Fp>\n\u003Cp>\u003Cstrong>ESPA&Ntilde;OL\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"ToWKne\">\n\u003Cdiv class=\"OlSOob\">\n\u003Cdiv class=\"ccvoYb\">\n\u003Cdiv class=\"AxqVh\">\n\u003Cdiv class=\"OPPzxe\">\n\u003Cdiv class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Desde Gaza. Testigo del Infierno del Genocidio\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cem>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Wasim Said \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">\"No escrib&iacute; esto para hacerte llorar. No para que me digas: 'Pobre de ti'. Escribo esto para poder colgar estas palabras alrededor de tu cuello, para que cargues con la responsabilidad de mi perspectiva, la responsabilidad de saber, la responsabilidad de ser testigo\".\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Brutalidades inimaginables se despliegan en estas breves p&aacute;ginas, mientras un joven relata la historia de su mundo, destruido.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Wasim Said, de veintid&oacute;s a&ntilde;os, vio c&oacute;mo su vida corr&iacute;a peligro constante cuando la ocupaci&oacute;n israel&iacute; comenz&oacute; sus implacables y genocidas ataques contra Gaza despu&eacute;s del 7 de octubre de 2023. En los breves intervalos entre bombardeos, Wasim tom&oacute; la pluma para contar las atrocidades que encontr&oacute; a cada paso: su familia luchando por comida y refugio bajo los disparos, amigos y vecinos brutalmente asesinados mientras intentaban recuperar harina y ayuda falsa, las historias no contadas de aquellos que fueron martirizados en hospitales, escuelas y hogares.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Las historias son dif&iacute;ciles de digerir.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Son gr&aacute;ficas, crueles, insoportables, como lo ha sido la ocupaci&oacute;n israel&iacute; desde su inicio.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Pero como Wasim se vuelve constantemente para dirigirse al lector, estas historias tambi&eacute;n contienen una carga.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">&iquest;Qu&eacute; har&aacute;s ahora que tienes la responsabilidad de saber?\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">&iquest;Qu&eacute; har&aacute;s ahora que eres testigo como &eacute;l?\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Ca href=\"https:\u002F\u002Fwww.bookforum.com\u002Fprint\u002F3203\u002Fbetween-ruins-and-imagination-62572\">\u003Cem>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Para saber m&aacute;s: Entre ruinas e imaginaci&oacute;n Relato de primera mano de Wasim Said sobre la resistencia y la supervivencia en Gaza Comentario de Mary Turfah\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003C\u002Fa>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\n\u003Cdiv class=\"AxqVh\">\n\u003Cdiv class=\"OPPzxe\">\n\u003Cdiv class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Ca href=\"https:\u002F\u002Fproteanmag.com\u002F2025\u002F09\u002F23\u002Fexcerpt-witness-to-the-hellfire-of-genocide\u002F\">\u003Cem>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">[Extracto: Este texto est&aacute; extra&iacute;do del pr&oacute;logo de Mousa Alsadah al testimonio escrito de un sobreviviente del genocidio en Gaza.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Wasim Said, escribiendo mientras hu&iacute;a de la matanza, registr&oacute; estas historias de horror y sufrimiento inimaginables.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Los escritos de Said se recopilan y publican como Testigo del Infierno del Genocidio: Un Testimonio desde Gaza]\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003C\u002Fa>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\n\u003Cdiv class=\"OlSOob\">\n\u003Cdiv class=\"ccvoYb\">\n\u003Cdiv class=\"AxqVh\">\n\u003Cdiv class=\"OPPzxe\">\n\u003Cdiv class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Por Azad Essa \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">17 de octubre de 2025 \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El autor Wasim Said vivi&oacute; dos a&ntilde;os del genocidio israel&iacute; contra los palestinos, recopilando informes de las atrocidades que encontr&oacute;.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Mientras el mundo a su alrededor era desmantelado e incendiado, la familia pens&oacute; que la casa abandonada, con sus brotes de vida creciendo en su peque&ntilde;o jard&iacute;n, los salvar&iacute;a.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Sin embargo, no pas&oacute; mucho tiempo antes de que un francotirador israel&iacute; pusiera fin al breve respiro de las bombas.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> La madre recibi&oacute; un disparo en el pecho mientras remov&iacute;a una olla de lentejas al fuego;\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">su beb&eacute; de seis meses dorm&iacute;a en su regazo.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Cuando su esposo intent&oacute; llevarla al hospital, los francotiradores abrieron fuego de nuevo.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Incapaz de irse, la madre se desangr&oacute; y muri&oacute;.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El entierro en el jard&iacute;n atrajo m&aacute;s balas de los soldados israel&iacute;es.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Sin saber qu&eacute; hacer, su esposo encontr&oacute; un refrigerador vertical con energ&iacute;a solar en la cocina.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">La envolvieron en una bolsa de pl&aacute;stico negra, la ataron con cuerdas y la colocaron dentro, en posici&oacute;n vertical.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Los ni&ntilde;os, con la esperanza de estar teniendo una pesadilla, segu&iacute;an habl&aacute;ndole.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> \"&iquest;Por qu&eacute; no hablas?\", le preguntaban.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Diez d&iacute;as despu&eacute;s, cuando los disparos cesaron, el padre levant&oacute; su cuerpo congelado y r&iacute;gido.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">La envolvi&oacute; en una manta y busc&oacute; un lugar para enterrarla.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Esta historia es solo un episodio de una nueva colecci&oacute;n de despachos de Wasim Said, Testigo del Infierno del Genocidio: Un testimonio desde Gaza.\u003C\u002Fspan>\u003C\u002Fspan>\n\u003Cdiv class=\"OvtS8d\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"XL3Kf XExWNc\">\n\u003Cdiv class=\"a8FIud\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"VO9ucd\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"HWmS8\">\n\u003Cdiv class=\"OwOEge\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\n\u003Cdiv class=\"OlSOob\">\n\u003Cdiv class=\"ccvoYb\">\n\u003Cdiv class=\"AxqVh\">\n\u003Cdiv class=\"OPPzxe\">\n\u003Cdiv class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n\u003Cdiv class=\"usGWQd\">\n\u003Cdiv class=\"KkbLmb\">\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cstrong>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Noviembre de 2025&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">En medio de la continua e insondable agon&iacute;a causada por la guerra genocida de Israel en Gaza, un joven desplazado escribe un libro para expresar el agudo sufrimiento palestino y contar historias humanas que, de otro modo, pasar&iacute;an desapercibidas.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El libro de Wasim Said, Testigo del Fuego Infernal del Genocidio, narra dos a&ntilde;os de guerra implacable, as&iacute; como repetidos desplazamientos forzados como resultado de los incesantes bombardeos israel&iacute;es, la invasi&oacute;n terrestre, la destrucci&oacute;n y la hambruna forzada.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">El joven de 24 a&ntilde;os comparti&oacute; su historia con Hani Mahmoud, de Al Jazeera, y describi&oacute; c&oacute;mo escribe la mayor parte del tiempo dentro de una tienda de campa&ntilde;a sin nada dentro, ni siquiera protecci&oacute;n real contra el calor abrasador del verano ni el fr&iacute;o g&eacute;lido del invierno y las fuertes lluvias.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">\"Los campamentos de desplazados y las tiendas de campa&ntilde;a se han convertido en parte de nuestras vidas. Hemos tenido que encontrar maneras de adaptarnos a esta miseria, aunque es casi imposible\", dijo.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Cada cap&iacute;tulo del libro de Said lleva el nombre de una persona, un lugar o un recuerdo que se niega a dejar desaparecer.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cstrong>\u003Cspan class=\"ryNqvb\">\"No necesito su compasi&oacute;n\", dijo.\u003C\u002Fspan> \u003C\u002Fstrong>\u003Cspan class=\"ryNqvb\">\u003Cstrong>\"Necesito una conciencia que no se haya podrido\u003C\u002Fstrong>... un ser humano que no se haya convertido en piedra, necesito un lector que no se limite a cerrar el libro y suspirar, para luego ir a tomar un caf&eacute;\".\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">Ha pasado muchas noches escribiendo a la luz de las velas porque el ej&eacute;rcito israel&iacute; ha destruido casi toda la infraestructura en Gaza, por lo que no hay electricidad ni internet para la poblaci&oacute;n desplazada.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Said dijo que no escribi&oacute; para obtener reconocimiento, sino para expresar sus emociones y ser testigo de las atrocidades.\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">\"Estaba devastado. No pod&iacute;a contener mi ira. Escribir se convirti&oacute; en la &uacute;nica manera de desahogarme\", dijo.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> Empez&oacute; escribiendo sobre sus experiencias, pero pronto se dio cuenta de que hab&iacute;a muchos que hab&iacute;an pasado por tragedias a&uacute;n m&aacute;s horribles que, seg&uacute;n &eacute;l, la mente humana no puede imaginar.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Personas que fueron asesinadas y enterradas sin que nadie lo supiera. Sus &uacute;ltimos momentos. Su miedo. Llam&eacute; a este cap&iacute;tulo \"Las Historias No Contadas\".\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"lRu31\" dir=\"ltr\">\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">P\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"HwtZe\" lang=\"es\">\u003Cspan class=\"ryNqvb\">ara Said, cada p&aacute;gina es una forma de resistencia silenciosa contra el olvido.\u003C\u002Fspan> \u003Cspan class=\"ryNqvb\">Dijo que la muerte se sent&iacute;a \"inevitable\" en muchos casos.\u003C\u002Fspan>\u003Cspan class=\"ryNqvb\"> \"Escrib&iacute; porque quer&iacute;a dejar algo atr&aacute;s: ser testigo, no solo un m&aacute;rtir. Las historias desaparecen si no se documentan\", dijo.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n\u003Cdiv class=\"UdTY9 WdefRb\" aria-hidden=\"true\" data-location=\"2\">\n\u003Cdiv class=\"kO6q6e\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"XL3Kf XExWNc\">\n\u003Cdiv class=\"a8FIud\">\n\u003Cdiv data-show-delay-ms=\"250\" data-append-to-body=\"false\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-end\" data-enable-skip-handler=\"true\" data-popup-corner=\"top-end\">\n\u003Cdiv class=\"dig2sb\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"ebT7ne VOLvac sMVRZe\">\n\u003Cdiv class=\"F0pQVc\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"VO9ucd\">\n\u003Cdiv class=\"aJIq1d\" dir=\"ltr\" data-language-code=\"es\" data-language-name=\"espa&ntilde;ol\" data-text=\"Noviembre de 2025\nEn medio de la continua e insondable agon&iacute;a causada por la guerra genocida de Israel en Gaza, un joven desplazado escribe un libro para expresar el agudo sufrimiento palestino y contar historias humanas que, de otro modo, pasar&iacute;an desapercibidas.\n\nEl libro de Wasim Said, Testigo del Fuego Infernal del Genocidio, narra dos a&ntilde;os de guerra implacable, as&iacute; como repetidos desplazamientos forzados como resultado de los incesantes bombardeos israel&iacute;es, la invasi&oacute;n terrestre, la destrucci&oacute;n y la hambruna forzada.\nEl joven de 24 a&ntilde;os comparti&oacute; su historia con Hani Mahmoud, de Al Jazeera, y describi&oacute; c&oacute;mo escribe la mayor parte del tiempo dentro de una tienda de campa&ntilde;a sin nada dentro, ni siquiera protecci&oacute;n real contra el calor abrasador del verano ni el fr&iacute;o g&eacute;lido del invierno y las fuertes lluvias.\n&quot;Los campamentos de desplazados y las tiendas de campa&ntilde;a se han convertido en parte de nuestras vidas. Hemos tenido que encontrar maneras de adaptarnos a esta miseria, aunque es casi imposible&quot;, dijo. Cada cap&iacute;tulo del libro de Said lleva el nombre de una persona, un lugar o un recuerdo que se niega a dejar desaparecer.\n&quot;No necesito su compasi&oacute;n&quot;, dijo. &quot;Necesito una conciencia que no se haya podrido... un ser humano que no se haya convertido en piedra, necesito un lector que no se limite a cerrar el libro y suspirar, para luego ir a tomar un caf&eacute;&quot;.\nHa pasado muchas noches escribiendo a la luz de las velas porque el ej&eacute;rcito israel&iacute; ha destruido casi toda la infraestructura en Gaza, por lo que no hay electricidad ni internet para la poblaci&oacute;n desplazada.\nSaid dijo que no escribi&oacute; para obtener reconocimiento, sino para expresar sus emociones y ser testigo de las atrocidades.\n&quot;Estaba devastado. No pod&iacute;a contener mi ira. Escribir se convirti&oacute; en la &uacute;nica manera de desahogarme&quot;, dijo.\nEmpez&oacute; escribiendo sobre sus experiencias, pero pronto se dio cuenta de que hab&iacute;a muchos que hab&iacute;an pasado por tragedias a&uacute;n m&aacute;s horribles que, seg&uacute;n &eacute;l, la mente humana no puede imaginar. Personas que fueron asesinadas y enterradas sin que nadie lo supiera. Sus &uacute;ltimos momentos. Su miedo. Llam&eacute; a este cap&iacute;tulo &quot;Las Historias No Contadas&quot;.\nPara Said, cada p&aacute;gina es una forma de resistencia silenciosa contra el olvido. Dijo que la muerte se sent&iacute;a &quot;inevitable&quot; en muchos casos.\n&quot;Escrib&iacute; porque quer&iacute;a dejar algo atr&aacute;s: ser testigo, no solo un m&aacute;rtir. Las historias desaparecen si no se documentan&quot;, dijo.\" data-crosslingual-hint=\"\" data-location=\"2\" data-enable-toggle-playback-speed=\"true\" data-results-count=\"1\" data-result-index=\"1\">\n\u003Cdiv class=\"m0Qfkd\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"YJGJsb\">\n\u003Cdiv>&nbsp;\u003C\u002Fdiv>\n\u003Cdiv>&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"HWmS8\">\n\u003Cdiv class=\"kGmWO\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"OwOEge\">\n\u003Cdiv class=\"cJ1Ndf\">&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv>&nbsp;\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cnav class=\"VlPnLc\" aria-labelledby=\"ucj-38\">\u003C\u002Fnav>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>","witness-to-the-hellfire-of-genocide-a-testimony-from-gaza-wasim-said-desde-gaza-testigo-del-infierno-del-genocidio-eng-esp",[12,13,14],"Wasim Said","Testimony","Testigo",["FirebaseTimestamp",16],{"type":17,"seconds":18,"nanoseconds":19},"firestore\u002Ftimestamp\u002F1.0",1770561160,60000000,"Witness to the Hellfire of Genocide: A Testimony from Gaza. Wasim Said. Desde Gaza, Testigo del Infierno del Genocidio. ENG ESP","jjgervas@gmail.com",[23,42,55,67,78,87,97,107],{"id":24,"slug":25,"type":6,"title":26,"titleEn":27,"subtitle":8,"subtitleEn":8,"imageUrl":28,"timestamp":29,"tags":30,"tagsEn":35,"excerpt":40,"hasEnglish":41,"hasEnglishPage":41},"mvar0gfx0tla7wz9x3xe","gaza-arte-exposicion-en-londres-gaza-art-exhibition-in-london-espanol-english","Gaza. Arte. Exposición en Londres. Gaza. Art. Exhibition in London. ESPAÑOL ENGLISH","Gaza. Art. Exhibition in London.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792142590\u002Febyyg1bgmybjhhxs9wok.png",1792142568187,[31,32,33,34],"Vídeo","Escultura","Fotos","Instalaciones",[36,37,38,39],"Video","Sculpture","Photo","Installations","Una exposición en Londres arroja luz sobre la tragedia de Gaza. \"An Exhibition as Record\" [\"Una exposición como testimonio\"] Los comisarios de la muestra en la galería Tramps yuxtaponen imágenes de la crisis con instalaciones, fotografías y esculturas. Gareth Harris 15 de octubre de 2026 Una de las ",true,{"id":43,"slug":44,"type":6,"title":45,"titleEn":46,"subtitle":8,"subtitleEn":8,"imageUrl":47,"timestamp":48,"tags":49,"tagsEn":52,"excerpt":53,"hasEnglish":54,"hasEnglishPage":54},"mv9ldm2ni0cqufm9h3i","shatha-safi-artista-visual","Shatha Safi, artista visual. ","Shatha Safi is a Palestinian visual artist","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1792072373\u002Fuabkxlbqmhw0cdqntonm.png",1792072287434,[50,51],"Shatha Safi","artista visual",[],"Shatha Safi es una artista visual y activista social palestina residente en el campo de refugiados de Dheisheh, Belén, con raíces ancestrales en la aldea de Jarash, cerca de Jerusalén. Su trayectoria artística comenzó a través del aprendizaje autodidacta, profundamente inspirada por la herencia pale",false,{"id":56,"slug":57,"type":6,"title":58,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":59,"timestamp":60,"tags":61,"tagsEn":-1,"excerpt":66,"hasEnglish":41,"hasEnglishPage":54},"muh88rxahpolkx8ncqd","al-ard-the-land-palestinian-folklore-group-al-ard-the-land-la-tierra-grupo-de-folklore-palestino","Al Ard — “The Land” — Palestinian folklore group. Al Ard - The Land- La Tierra. Grupo de folklore palestino","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790357518\u002Fe9qjtjmfa45kkb3dypbd.png",1790357764754,[62,63,64,65],"Al Ard","The Land","La Tierra","Folklore","ENGLISH Al Ard — “The Land” — was one of the Palestinian folklore groups that treated culture not as decoration, but as something to be defended. First established in Beirut in the 1970s and later re-formed in Yarmouk refugee camp in Damascus in 1984, Al Ard preserved Palestinian identity through so",{"id":68,"slug":69,"type":6,"title":70,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":71,"timestamp":72,"tags":73,"tagsEn":-1,"excerpt":77,"hasEnglish":54,"hasEnglishPage":54},"muh7kt5een63gar16gh","preparativos-canciones-de-boda-palestina-un-documental-relato-de-patrimonio-perdurable","تغاريد عرس فلسطيني.. حكاية تراث لا يموت  Preparativos, canciones de boda palestina: Un documental\u002Frelato de patrimonio perdurable","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790356182\u002Fp2rpgu3rvvvizuwvexeb.png",1790356160565,[74,75,76],"Canciones","Bodas","Cocina","يوثق الفيلم تفاصيل التحضير للعرس الفلسطيني، ويستعرض ما يرافقه من عادات وتقاليد متوارثة تعكس هوية المجتمع الفلسطيني وثراء موروثه الثقافي. فمن طقوس التجهيز والزينة، إلى الأغاني الشعبية والدبكة واحتفالات الأهل والجيران، يرصد الفيلم كيف يتحول العرس إلى مناسبة اجتماعية تجمع أفراد المجتمع وتُجسد قيم التكا",{"id":79,"slug":80,"type":6,"title":81,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":82,"timestamp":83,"tags":84,"tagsEn":-1,"excerpt":86,"hasEnglish":54,"hasEnglishPage":54},"mufmyogcdeykxtae3rv","Citizen-Osama-Gaza-sin-filtros","Citizen Osama. Documental","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1790260950\u002Fg6luu0skkarpz0jp7x9l.png",1790260994436,[85],"Citizen Osama","Citizen Osama: Gaza sin filtros desde la mirada de un periodista y padre primerizo Javier Cortés 13 septiembre 2026 Presentado en la Mostra de Venecia, «Citizen Osama» de Ahmed Hassouna ofrece un retrato íntimo y sobrio de la vida cotidiana bajo bombardeos en el norte de Gaza, filmado en secreto par",{"id":88,"slug":89,"type":6,"title":90,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":91,"timestamp":92,"tags":93,"tagsEn":-1,"excerpt":96,"hasEnglish":41,"hasEnglishPage":54},"mu70b0apfuz2simqvui","gaza-no-words-exhibition-venice-gaza-sin-palabras-exposicion-venecia-eng-esp","\"Gaza. No words\" Exhibition Venice. Gaza, sin palabras. Exposición Venecia. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789739482\u002Fqgpuz4zetsqsdiz2sdxf.png",1789739883203,[94,95],"Venice","Venecia","ENGLISH ‘Gaza – No Words See Exhibit’: Memory and Resistance at the Venice Biennale May 8, 2026 Palestinian women in Gaza have for generations produced refined tatreez embroidery. (Photos: Faisal Saleh, supplied) By Tawfiq Al-Ghussein & Rania Hammad ‘Gaza – No Words – See Exhibit’ is not an exhibiti",{"id":98,"slug":99,"type":6,"title":100,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":101,"timestamp":102,"tags":103,"tagsEn":-1,"excerpt":106,"hasEnglish":41,"hasEnglishPage":54},"mu2yohnpn6al16l0hxi","moving-towards-home-june-jordan-44-years-since-the-sabra-and-sathila-massacres-camino-al-hogar-44-anos-desde-la-masacre-de-sabra-y-sathila-eng-esp","\"Moving towards home\". June Jordan. 44 years since the Sabra and Sathila massacres. \"Camino al hogar\"- 44 años desde la masacre de Sabra y Sathila. ENG ESP","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789495891\u002Fddz4osgk6idye7sipohf.png",1789496055853,[104,105],"June Jordan","Sabra and Sathila","ENGLISH 15-18 Sep 1982. Sabra and Shatila massacres This week marks forty-four years since the Sabra and Shatila massacres in 1982. Shatila is one of the first Palestinian refugee camps established in Lebanon, and was populated predominantly by refugees of the 1948 Nakba. Sabra is a poor neighborhoo",{"id":108,"slug":109,"type":6,"title":110,"titleEn":-1,"subtitle":8,"subtitleEn":-1,"imageUrl":111,"timestamp":112,"tags":113,"tagsEn":-1,"excerpt":117,"hasEnglish":41,"hasEnglishPage":54},"mtx1e6foi59ueyn02i","palestine-war-of-memory-palestina-memoria-de-guerra","Palestine, war of memory. Palestina, memoria de guerra.","https:\u002F\u002Fres.cloudinary.com\u002Fdohlie6or\u002Fimage\u002Fupload\u002Fv1789137630\u002Fphdfzxbrrq7auaytzbvf.webp",1789137706035,[114,115,116],"Memory","Christian Zionism","Sionismo cristiano","ENGLISH The world is finally watching Palestine. But who gets to narrate its story?Nour A Munawar, James Symonds, and Ihab Saloul6 September 2026 Photo: A woman holds a mobile phone during a film screening and entertainment event in Gaza’s al-Shati refugee camp, on 23 November 2025 (Omar al-Qattaa\u002FA"]